By Matilda Arvidsson
In “My Monster/My Self” Barbara Johnson brings forth some fundamental insights into what it means to be a writing subject: a “self” who authors and authorises a text/being in her own image: this is the monster whose existence is irreversible reminding of its author as well as the impossibility of conflation with the author. While researching the ways in which international law as well as international legal scholarship emerges I’ve found Johnson’s “My Monster/My Self” helpful for mapping questions of authority, authorship, subjectivity and ways in which the “self” is embedded in the laws we study and scholarships we pursue.
